
The nimble musical wit behind Gilbert's words, whose indelible melodies gave Victorian England a soundtrack of satirical joy.
Arthur Sullivan composed the music for 'The Mikado' (1885), a comic opera that remains a staple of light musical theatre. Born in 1842 to a military bandmaster, he trained at the Royal Academy and in Leipzig. He aimed for the heights of oratorio and grand opera, chafing at the light works that brought him fame. His partnership with librettist W.S. Gilbert proved alchemical. Sullivan's grace and invention made Gilbert's satire palatable. From 'H.M.S. Pinafore' to 'The Pirates of Penzance,' he created a series of smash hits. Despite knighthood and public adoration, he died in 1900 somewhat embittered, feeling his higher musical aspirations had been drowned out by the very jingles that made his name.
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He was a compulsive gambler and frequently lost large sums at the racetrack, causing him financial stress.
Sullivan conducted the orchestra at the dedication of the Royal College of Music, where he was the first principal.
He wrote a successful ballet, 'Victoria and Merrie England,' for the Diamond Jubilee of Queen Victoria.
Despite their successful partnership, Sullivan and Gilbert often had a strained, business-like relationship and famously quarreled over a carpet.
“I have worked all my life to get the recognition I now have for comic opera, and now that I have it I don't want it.”