

A modernist poet who left law for literature, becoming a public intellectual and steward of knowledge as Librarian of Congress.
Archibald MacLeish lived several consequential lives in one. A Yale and Harvard man, he served as an artillery officer in the First World War, an experience that haunted his early poetry. Disillusioned with his career as a lawyer, he moved to Paris in the 1920s, joining the expatriate modernist circle and refining a crisp, imagistic style. His poem 'Ars Poetica,' with its famous dictum 'A poem should not mean / But be,' became a touchstone. Returning to America during the Depression, he turned his pen to public themes, winning Pulitzer Prizes for both poetry and drama. His most unexpected chapter began when President Franklin Roosevelt persuaded him to become Librarian of Congress. For five years, he transformed the institution from a dusty repository into a dynamic center for democracy, championing access and using radio to bring poetry to the masses. He later helped found UNESCO and taught at Harvard, forever arguing for the poet's vital role in civic life.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Archibald was born in 1892, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1892
The world at every milestone
Einstein publishes the theory of special relativity
Ford Model T goes into production
Halley's Comet makes its closest approach
The Federal Reserve is established
King Tut's tomb discovered in Egypt
Amelia Earhart flies solo across the Atlantic
Battle of Midway turns the tide in the Pacific
Queen Elizabeth II ascends the throne
Cuban Missile Crisis brings the world to the brink
Watergate break-in; last Apollo Moon mission
Michael Jackson releases Thriller
He was a classmate of fellow poet E.E. Cummings at Harvard.
He worked as an editor for *Fortune* magazine for nearly a decade during the Great Depression.
His verse play 'J.B.,' a modern retelling of the Book of Job, was a major Broadway success in 1958.
He was a vocal critic of the McCarthy-era anti-communist investigations.
“"A poem should not mean / But be."”