

A cardinal who wielded art, armies, and influence to turn his family into the defining powerhouse of Baroque Rome.
Born into a Florentine family of modest means, Antonio Barberini’s life was catapulted into the stratosphere when his uncle, Maffeo Barberini, became Pope Urban VIII. Quickly elevated to the rank of cardinal, Antonio became a central figure in the papal court, a role he embraced with a blend of political cunning and lavish taste. He was not merely a churchman; he commanded papal troops during the War of Castro, demonstrating a martial side rare among princes of the Church. His true legacy, however, was written in stone and paint. Alongside his brothers, he became one of the great patrons of the Baroque era, bankrolling artists like Pietro da Cortona and architects who transformed Rome with the exuberant Palazzo Barberini and other monuments. His deep alliance with France, symbolized by his position as Archbishop of Reims, made him a pivotal, sometimes controversial, kingmaker in the conclaves that shaped the papacy for decades.
The biggest hits of 1607
The world at every milestone
He was nicknamed 'Antonio the Younger' to distinguish him from his uncle, Antonio Marcello Barberini, who was also a cardinal.
He was a member of the same Barberini family that produced the bees, their famous heraldic symbol, which adorn many Roman fountains and buildings.
His pro-French political maneuvers eventually led to his temporary exile from Rome after the death of his uncle, Pope Urban VIII.
“Art is the true treasure of the Church, and I shall be its most devoted patron.”