An Irish sculptor who turned her artistry to medicine, co-inventing life-saving plaster casts for wounded soldiers during the First World War.
Anne Acheson moved through the worlds of art and science with a practical grace. Trained at the Belfast School of Art and the Royal College of Art in London, she established herself as a sculptor of portrait busts and imaginative figures, exhibiting at the Royal Academy. When war broke out in 1914, her creative mind pivoted to a pressing human need. Working with the Surgical Requisites Association in Chelsea, she and colleague Elinor Hallé applied a sculptor's understanding of form and material to develop improved plaster casts for shattered limbs. This innovation, using shaped, padded plaster pieces instead of heavy, cumbersome wraps, gave countless soldiers a better chance at recovery. Honoured with a CBE for this work, Acheson later returned to her artistic practice, winning the Gleichen Memorial Award in 1938, and maintained a life split between her London studio and her family home in County Antrim.
1860–1882
Born during or after the Civil War, they built industrial America — the railroads, the steel mills, the first skyscrapers. An era of massive wealth, massive inequality, and the belief that the future belonged to whoever could build it fastest.
Anne was born in 1882, placing them squarely in The Gilded Age. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1882
The world at every milestone
First electrical power plant opens in New York
First public film screening by the Lumiere brothers
Spanish-American War; US emerges as a world power
Boxer Rebellion in China
Wright brothers achieve first powered flight
Titanic sinks on its maiden voyage
King Tut's tomb discovered in Egypt
Amelia Earhart flies solo across the Atlantic
Battle of Midway turns the tide in the Pacific
Queen Elizabeth II ascends the throne
Cuban Missile Crisis brings the world to the brink
She was a cousin of the Irish playwright and critic St. John Ervine.
Her wartime work was conducted at a workshop in Mulberry Walk, Chelsea.
She created a notable sculpture of a fairy for the Children's Pavilion at the 1924 British Empire Exhibition.
“Sculpture must serve a purpose, even if that purpose is mending a broken bone.”