A critic who believed film's essence was reality, he championed directors and inspired the French New Wave with his humanist theories.
André Bazin didn't just review movies; he argued for their soul. Writing in the aftermath of World War II, he positioned cinema as the art form uniquely suited to capture the ambiguity and depth of human existence. He was skeptical of manipulative editing, championing instead the long take, deep focus, and the integrity of time and space on screen—techniques he saw in his idols like Jean Renoir and Orson Welles. In 1951, he co-founded Cahiers du cinéma, a magazine that became a thunderous forum for his ideas and a training ground for young firebrands like François Truffaut and Jean-Luc Godard. Bazin's writing, collected in volumes like 'What is Cinema?', provided the intellectual bedrock for the French New Wave. He died of leukemia at just forty, but his belief that cinema should 'reveal' rather than 'impose' forever changed how films are made and discussed.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
André was born in 1918, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1918
The world at every milestone
World War I ends; Spanish flu pandemic kills millions
The Great Kanto earthquake devastates Tokyo
The Empire State Building opens as the world's tallest
Jesse Owens wins four golds at the Berlin Olympics
World War II begins; The Wizard of Oz premieres
Israel declares independence; Berlin Blockade begins
NASA founded
He was a lifelong Catholic, and his humanist film philosophy was influenced by personalist theology.
Despite his towering influence, he never learned to drive and was known for his chaotic, disorganized personal style.
He helped establish film clubs and cinémathèques to preserve and screen classic films in post-war France.
“The cinema substitutes for our gaze a world more in harmony with our desires.”