A young Brazilian trans man whose poignant, posthumously published poetry gave raw voice to a marginalized existence and became a cinematic landmark.
Anderson Bigode Herzer wrote 'A queda para o alto' (The Upward Fall), a posthumous poetry collection that became a touchstone for Brazilian transgender literature. Assigned female at birth and named Sandra, he spent his youth in the Fundação Estadual para o Bem-Estar do Menor (FEBEM) juvenile detention system. There he articulated his male identity and channeled his anguish into writing. His poems sear with alienation and institutional violence. Herzer died by suicide at 20. His life story was adapted into the 1987 film 'Vera,' and his words continue to resonate with heartbreaking clarity about trans experience and systemic failure.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Anderson was born in 1962, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1962
#1 Movie
Lawrence of Arabia
Best Picture
Lawrence of Arabia
#1 TV Show
Beverly Hillbillies
The world at every milestone
Cuban Missile Crisis brings the world to the brink
Summer of Love in San Francisco; first Super Bowl
Fall of Saigon ends the Vietnam War
First test-tube baby born
John Lennon shot and killed in New York
Michael Jackson releases Thriller
The name 'Bigode' (meaning 'mustache' in Portuguese) was a nickname he adopted, which later became part of his published name.
His book was published through the intervention of journalist and poet Alex Polari, who discovered his writings after his death.
He lived for a period with the family of renowned psychiatrist Dr. Roberto Farina, who tried to provide him support.
The title 'A queda para o alto' poetically inverts the logic of a fall, suggesting a collapse that is also a form of ascent or rebellion.
“I write to survive, because I was not allowed to live.”