A lyricist who poured the hustle and heart of 1930s New York into the words for some of Hollywood's most enduring melodies.
Al Dubin's life was a turbulent Broadway melodrama that produced the sunniest of Hollywood songs. A Swiss immigrant who grew up in Philadelphia and New York, he was drawn to the flash and grit of Tin Pan Alley and the Great White Way. His lyrics, often penned for composer Harry Warren, possessed a street-smart simplicity and a deep, sometimes wistful, sentimentality. They captured the essence of Depression-era America—the longing for escape in 'We're in the Money' and the romanticized nostalgia of 'Lullaby of Broadway'. Dubin's work for Warner Bros. musicals, particularly the Busby Berkeley spectacles, provided the verbal heartbeat to some of cinema's most elaborate dance sequences. His personal struggles with health and addiction were an open secret, adding a layer of poignant reality to his celebrations of joy and romance. Though his career was relatively brief, his words became embedded in the American songbook, a testament to his ability to translate everyday yearning into timeless verse.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Al was born in 1891, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1891
The world at every milestone
First modern Olympic Games held in Athens
New York City opens its first subway line
Financial panic grips Wall Street
Robert Peary claims to reach the North Pole
Titanic sinks on its maiden voyage
First commercial radio broadcasts
The Empire State Building opens as the world's tallest
Pearl Harbor attack brings the US into WWII
WWII ends; atomic bombs dropped on Hiroshima and Nagasaki
He was so large later in life that a special desk had to be built for him at Warner Bros. to accommodate his size.
He often wrote lyrics on whatever was handy, including shirt cuffs and napkins.
He briefly studied to be a doctor at the University of Pennsylvania before dropping out to pursue songwriting.
Despite writing 'Lullaby of Broadway', he reportedly hated New York City and preferred living in Los Angeles.
“I'm for anything that gets the needle off 'moon' and 'June'.”