

She transformed the dances of Mexico's villages and traditions into a spectacular, world-touring theatrical phenomenon.
Amalia Hernández was a force of nature who turned her back on the conventions of classical ballet to unearth the soul of Mexico. In 1952, she founded a small dance group with just eight performers, driven by a mission to research, codify, and elevate the nation's vast folkloric traditions. This became the Ballet Folklórico de México, a company that grew into a national institution. Hernández didn't merely preserve steps; she crafted vivid, large-scale theatrical productions, blending pre-Hispanic rituals, colonial-era *jarabes*, and revolutionary *adelitas* into a cohesive and explosive visual narrative. Her work, performed for decades at the Palace of Fine Arts in Mexico City and on stages across the globe, defined how Mexico presented its cultural identity to itself and the world.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Amalia was born in 1919, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1919
The world at every milestone
Treaty of Versailles signed; Prohibition ratified
First Winter Olympics held in Chamonix, France
Amelia Earhart flies solo across the Atlantic
Social Security Act signed into law
Hindenburg disaster; Golden Gate Bridge opens
The Blitz: Germany bombs London
NATO founded; Mao proclaims the People's Republic of China
Fidel Castro takes power in Cuba
Apollo 11: humans walk on the Moon; Woodstock festival
Iran hostage crisis begins; Three Mile Island accident
Berlin Wall falls; Tiananmen Square protests
Columbine shooting; Y2K panic builds
Y2K passes without incident; contested Bush-Gore election
She was initially a student of modern dance with teachers like Waldeen and a dancer for the National Symphony Ballet.
Her first major break came when her television program "Ballet Folklórico de México" won a contest in 1954.
The company's signature opening number, "Deer Dance," is based on a Yaqui ritual from Sonora.
Her daughter, Norma López Hernández, succeeded her as the company's artistic director.
“I wanted to dance the Mexico that I loved.”