

A brilliant, short-lived composer who bridged the early Baroque and planted the seeds for Leipzig's future musical greatness.
Adam Krieger's life was a meteor flash in 17th-century German music. A student of the great Samuel Scheidt, he quickly ascended to the organist post at Leipzig's Nikolaikirche while still in his early twenties. There, he displayed an entrepreneurial spirit by founding a Collegium Musicum, a society for secular music-making that would later be famously directed by Johann Sebastian Bach. His talent caught the ear of the Dresden court, where he spent his final years as organist. Krieger's output, particularly his elegant and popular secular songs called 'Arien,' showed a move away from strict sacred polyphony toward a more expressive, melodic style that pointed toward the future.
The biggest hits of 1634
The world at every milestone
He died at the age of 31 or 32, leaving behind a small but influential body of work.
His collection of songs, 'Arien,' was published in multiple editions after his death, indicating their popularity.
He held a position previously occupied by Johann Rosenmüller, another significant composer of the era.
“Let us gather and make new music for the people of this city.”