

A composer who synthesized the entire Baroque musical language into works of profound intellectual depth and spiritual grandeur.
Johann Sebastian Bach was born into a sprawling German family of musicians in Eisenach, a fact so expected that 'Bach' was nearly synonymous with town musician. Orphaned by age ten, he was raised by an older brother who provided his early keyboard training. Bach's career was one of restless movement between posts as a church organist, court musician, and finally Cantor of St. Thomas Church in Leipzig, where he spent his final 27 years. His primary duty was to provide music for Leipzig's churches, a relentless schedule that generated a staggering output of cantatas, passions, and masses. Working largely in obscurity beyond a reputation as a brilliant organist, Bach composed not for fame but as an act of devotion, inscribing 'S.D.G.' (Soli Deo Gloria—To God alone the glory) on his manuscripts. His music married intricate counterpoint with deep emotional expression, creating a universe of sound that later composers like Mozart and Beethoven would study as a foundational text. His death in 1750 marked the end of the Baroque era, but his work's rediscovery in the 19th century secured his place as a cornerstone of Western music.
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He once walked over 200 miles to hear the famous organist Dietrich Buxtehude play.
Bach had 20 children with two wives; several of his sons, like Carl Philipp Emanuel and Johann Christian, became significant composers themselves.
He was imprisoned for a month in 1717 after trying to leave his employer, Duke Wilhelm Ernst of Weimar, for a better job.
For much of the 18th century, he was better known as an organist and father of his composing sons than for his own compositions.
“It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument plays itself.”