

A Polish guitarist and composer who grew up on stage, weaving family tradition into a distinct and expressive musical voice.
Witold Smorawiński's life in music began as a family affair, with performances alongside his relatives from a very young age. This immersive, practical education shaped him into a classical guitarist of notable technical command and interpretive sensitivity. Beyond performing the standard repertoire, he has carved a niche as a composer, creating works that expand the guitar's contemporary language and often reflect a deep connection to Polish musical heritage. His dual role as a dedicated teacher passes on not only technique but also the intimate, performance-ready philosophy he inherited. Smorawiński's career is a quiet testament to the European tradition of musician-composers, building a body of work that speaks to both the concert hall and the next generation of players.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Witold was born in 1964, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1964
#1 Movie
Mary Poppins
Best Picture
My Fair Lady
#1 TV Show
Bonanza
The world at every milestone
Civil Rights Act signed; Beatles arrive in America
Apollo 11: humans walk on the Moon; Woodstock festival
Star Wars premieres; Elvis dies
John Lennon shot and killed in New York
Michael Jackson releases Thriller
Live Aid concerts raise money for Ethiopian famine
Nelson Mandela elected president of South Africa
Indian Ocean tsunami kills over 230,000
Russia annexes Crimea; Ebola outbreak in West Africa
AI reshapes industries; Paris Olympics
He comes from a family of musicians and performed in public as a child.
His father, Mieczysław Smorawiński, was a noted Polish double bass player and teacher.
“The guitar is not an instrument of volume, but of intimacy and nuance.”