
A bass virtuoso whose innovative, muscular playing became the rhythmic backbone for art-rock giants like King Crimson and Peter Gabriel.
Tony Levin brought a percussive, orchestral approach to the bass guitar, using a headless Music Man StingRay and wooden sticks to tap and hammer strings. His career took off in the 1970s as a first-call session musician in New York. He provided the throbbing pulse for Peter Gabriel's early solo hits like 'Sledgehammer' and anchored the 1980s incarnation of King Crimson, a band built on complex, interlocking rhythms. Levin never rested on technique alone; his musicality and taste made him indispensable. He embraced new instruments like the Chapman Stick, formed avant-garde projects like Stick Men, and documented life on the road with a camera, sharing quirky photos with fans. Through sonic invention and unwavering groove, Levin became a singular force in bass playing.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Tony was born in 1946, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1946
#1 Movie
The Best Years of Our Lives
Best Picture
The Best Years of Our Lives
The world at every milestone
United Nations holds its first General Assembly
First color TV broadcast in the US
Fidel Castro takes power in Cuba
Cuban Missile Crisis brings the world to the brink
Civil Rights Act signed; Beatles arrive in America
Summer of Love in San Francisco; first Super Bowl
Apple Computer founded; US bicentennial
Challenger disaster; Chernobyl nuclear meltdown
Dolly the sheep cloned
Twitter launches; Pluto reclassified as dwarf planet
Donald Trump elected president; Brexit vote
He is an avid photographer and author of the book 'Stick Man: On the Road with King Crimson and Peter Gabriel'.
Levin invented 'Funk Fingers'—short drumsticks attached to his fingers—to achieve a specific slapped sound on Peter Gabriel's 'Big Time'.
He played the iconic bass line on the Peter Gabriel and Kate Bush duet "Don't Give Up."
His brother, Pete Levin, is also a noted keyboardist and composer.
“The older I get, the more I realize that the object is to be part of something that's really good, not to be the one that's really good.”