

A horror director who swapped the New York publicity grindstone for crafting atmospheric, character-driven genre films that feel both classic and fresh.
Ted Geoghegan cut his teeth not in film school but in the trenches of New York City's publicity world, working for years to promote other people's movies. That behind-the-scenes hustle informed his own creative path, leading him to write and direct films that prioritize mood and story over cheap scares. His feature debut, 'We Are Still Here,' became a word-of-mouth sensation, reimagining the haunted house tale through a lens of grief and New England folklore. He followed it with 'Mohawk,' a tense historical thriller that used the War of 1812 as a backdrop for a relentless chase, proving his ability to weave social commentary into gripping genre frameworks. Based in Brooklyn, Geoghegan represents a self-made breed of filmmaker whose deep love for cinematic history is matched by a distinctly modern, independent voice.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Ted was born in 1979, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1979
#1 Movie
Kramer vs. Kramer
Best Picture
Kramer vs. Kramer
#1 TV Show
Laverne & Shirley
The world at every milestone
Iran hostage crisis begins; Three Mile Island accident
Apple Macintosh introduced
LA riots after Rodney King verdict
Oklahoma City bombing; Windows 95 released
Princess Diana dies in Paris car crash; Harry Potter published
Y2K passes without incident; contested Bush-Gore election
Michael Jackson dies; Bitcoin created
First image of a black hole; Hong Kong protests
He is an avid historian of American horror comics, particularly EC Comics from the 1950s.
Before filmmaking, he worked extensively in home video publicity for companies like Blue Underground.
He contributed audio commentary tracks for Blu-ray releases of classic horror films like 'The House by the Cemetery.'
“I make horror films about people, not about monsters.”