

A Dutch artist who turned the global postal system into his canvas, pioneering the interactive world of mail art.
Ruud Janssen operates in the quiet, deliberate space where art meets communication. As a central figure in the international mail art network, his practice is built on connection rather than isolation. Emerging from the Fluxus tradition, which valued process over product, Janssen's work involves sending and receiving artistically altered postcards, letters, and packages, creating a vast, collaborative web. He is also the force behind the Tireless Tapes project, producing and distributing audio cassettes of sound poetry and experimental music. Beyond his own creations, Janssen serves as a vital archivist and historian for the mail art movement, meticulously documenting its ephemeral exchanges and ensuring this democratic, pre-internet form of social networking is preserved and understood.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Ruud was born in 1959, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1959
#1 Movie
Ben-Hur
Best Picture
Ben-Hur
#1 TV Show
Gunsmoke
The world at every milestone
Fidel Castro takes power in Cuba
Civil Rights Act signed; Beatles arrive in America
Watergate break-in; last Apollo Moon mission
Fall of Saigon ends the Vietnam War
Star Wars premieres; Elvis dies
John Lennon shot and killed in New York
Berlin Wall falls; Tiananmen Square protests
Columbine shooting; Y2K panic builds
Michael Jackson dies; Bitcoin created
First image of a black hole; Hong Kong protests
He began his mail art correspondence in 1980, building a network of thousands of contacts.
Janssen is also known for his 'artistamp' creations, fictional postage stamps used in mail art.
He developed a detailed system for documenting and cataloguing every piece of mail art he receives.
“The network is the artwork; the stamps and envelopes are its nodes.”