

A virtuoso musician and scholar who excavates the buried roots of American folk, centering Black stories and sounds with profound artistry.
Rhiannon Giddens didn't just enter the folk scene; she excavated it. With the Carolina Chocolate Drops, a group she co-founded, she forcefully reclaimed the banjo and fiddle as essential instruments in the Black American musical tradition, challenging the genre's perceived whiteness. Her work is a deep, scholarly dive into the past, but her delivery is fiercely alive—her voice a powerful, plaintive instrument that can convey centuries of joy and sorrow in a single phrase. A graduate of the Oberlin Conservatory, Giddens approaches music as both a historian and an innovator, collaborating with everyone from jazz bassist Christian McBride to composer Francesco Turrisi. She has evolved from a band member to a solo force, a MacArthur 'Genius' grant recipient, and an artistic director of the Silkroad Ensemble, using every platform to broaden the narrative of American music.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Rhiannon was born in 1977, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1977
#1 Movie
Star Wars
Best Picture
Annie Hall
#1 TV Show
Happy Days
The world at every milestone
Star Wars premieres; Elvis dies
Michael Jackson releases Thriller
Hubble Space Telescope launched; Germany reunifies
European Union officially established
Oklahoma City bombing; Windows 95 released
Google founded; Clinton impeachment
iPhone released; Great Recession begins
#MeToo movement; solar eclipse crosses the US
She is a classically trained opera singer, having studied vocal performance at the Oberlin Conservatory of Music.
Giddens played the recurring role of 'Molly' in the television drama 'Nashville'.
She wrote the music for the ballet 'Lucy Negro Redux', which premiered with the Nashville Ballet in 2019.
She is a skilled player of the minstrel banjo, an early 19th-century fretless banjo model.
“The banjo is such a powerful symbol of America, and it comes from my ancestors. To not know that is to not know a really important part of the American story.”