
A prolific and uncompromising force in Austrian cinema, both in front of the camera and behind it as a director of raw, visceral films.
Peter Kern appeared in over seventy films, his face conveying profound vulnerability or unsettling menace. He collaborated frequently with directors Walter Bockmayer and Rainer Werner Fassbinder, absorbing their confrontational styles. Kern directed more than twenty-five films, often writing and producing them himself. His works were deliberately rough-edged, politically charged, and focused on society's outsiders. His 1978 film 'Flaming Hearts' was selected for the Berlin International Film Festival. Uninterested in commercial polish, Kern explored themes of sexuality, violence, and alienation with a relentless, DIY spirit. He became a cult figure and an essential thread in Austrian underground cinema.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Peter was born in 1949, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1949
#1 Movie
Samson and Delilah
Best Picture
All the King's Men
#1 TV Show
Texaco Star Theatre
The world at every milestone
NATO founded; Mao proclaims the People's Republic of China
Brown v. Board of Education desegregates US schools
Cuban Missile Crisis brings the world to the brink
US sends combat troops to Vietnam
Summer of Love in San Francisco; first Super Bowl
First Earth Day; The Beatles break up
Iran hostage crisis begins; Three Mile Island accident
Berlin Wall falls; Tiananmen Square protests
Columbine shooting; Y2K panic builds
Michael Jackson dies; Bitcoin created
Paris climate agreement; same-sex marriage legalized in the US
He was also a published author, writing novels and plays in addition to his film scripts.
Many of his later films were self-financed and produced on extremely low budgets.
He had a recurring role in the popular Austrian crime television series 'Kommissar Rex.'
“I am not a nice person, and I don't want to be one.”