
A Filipino filmmaker who jolted international cinema with his raw, socially-charged debut, winning major prizes at Venice.
Pepe Diokno's first feature 'Engkwentro' won the Lion of the Future and an Orizzonti prize at the 2009 Venice Film Festival. The gritty, real-time film plunges into the lives of youths targeted by vigilante killings. Snatched from a pile of digital submissions, it announced a formidable talent from Southeast Asia. Diokno built a career on his own terms, shifting between narrative features and expansive documentary series that dissect Philippine history and politics. In 2023, he won Best Director at the Metro Manila Film Festival for 'GomBurZa,' a historical epic about Filipino priests executed by Spanish colonizers.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Pepe was born in 1987, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1987
#1 Movie
Three Men and a Baby
Best Picture
The Last Emperor
#1 TV Show
The Cosby Show
The world at every milestone
Black Monday stock market crash
LA riots after Rodney King verdict
Y2K passes without incident; contested Bush-Gore election
US invades Iraq; Human Genome Project completed
Hurricane Katrina devastates New Orleans; YouTube launches
Barack Obama elected first Black US president; financial crisis
#MeToo movement; solar eclipse crosses the US
He is the grandson of the late Filipino senator and human rights lawyer, Jose W. Diokno.
His debut film 'Engkwentro' was shot in just 11 days using a consumer-grade handheld camera.
He initially studied Computer Science before pivoting to filmmaking.
He served as a jury member for the NETPAC award at the 2013 Berlin International Film Festival.
“I make films to ask difficult questions, not to give easy answers.”