
His blistering, symphonic guitar work defined the sound of Cradle of Filth, shaping the sonic landscape of extreme metal for over two decades.
Paul Allender wrote the guitar parts for Cradle of Filth's albums 'Midian' and 'Nymphetamine.' He joined the band in its early years, left briefly in 1995, and returned in 1999 for a fifteen-year stretch. His playing combined neo-classical melodies with heavy riffs, matching the band's gothic style. He left the group in 2014.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Paul was born in 1970, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1970
#1 Movie
Love Story
Best Picture
Patton
#1 TV Show
Rowan & Martin's Laugh-In
The world at every milestone
First Earth Day; The Beatles break up
Fall of Saigon ends the Vietnam War
Internet adopts TCP/IP, creating the modern internet
Challenger disaster; Chernobyl nuclear meltdown
Pan Am Flight 103 bombed over Lockerbie
Soviet Union dissolves; World Wide Web goes public
Y2K passes without incident; contested Bush-Gore election
Deepwater Horizon oil spill; iPad launched
COVID-19 pandemic shuts down the world
Before joining Cradle of Filth, he was a member of the death metal band The Blood Divine.
He is known for his extensive collection of tattoos and a stage presence that matched the band's dark aesthetic.
Allender designed several signature models with guitar companies like Schecter and Blackcraft.
“I wanted to create riffs that were like horror movies for your ears.”