
A brilliant and outspoken Russian mathematician specializing in complex geometry, who is also a fierce political critic and underground music publisher.
Misha Verbitsky works in complex geometry and symplectic topology at Brazil's IMPA. Born in 1969, he has published papers on hyperkähler manifolds and other advanced topics. He is also a vocal critic of the Russian government, speaking publicly about political repression. Simultaneously, he runs an independent music publishing project focused on underground artists. This combination of world-class mathematics, activism, and cultural curation makes him a singular figure. He defies easy categorization within or outside academia.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Misha was born in 1969, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1969
#1 Movie
Butch Cassidy and the Sundance Kid
Best Picture
Midnight Cowboy
#1 TV Show
Rowan & Martin's Laugh-In
The world at every milestone
Apollo 11: humans walk on the Moon; Woodstock festival
Nixon resigns the presidency
Michael Jackson releases Thriller
Live Aid concerts raise money for Ethiopian famine
Black Monday stock market crash
Hubble Space Telescope launched; Germany reunifies
Columbine shooting; Y2K panic builds
Michael Jackson dies; Bitcoin created
First image of a black hole; Hong Kong protests
He is the son of the Soviet-era linguist and dissident Efim Etkind.
Verbitsky has been an outspoken advocate for academic freedom and has criticized the political climate in Russia.
He maintains a detailed personal website that includes his mathematical work, political writings, and music projects.
“A hyperkähler manifold is not just a space; it is a symphony of structures.”