
As the bassist for Babes in Toyland, she helped forge the brutal, cathartic sound of 1990s riot grrrl and alternative rock.
Maureen Herman played bass on Babes in Toyland's seminal album 'Fontanelle,' released in 1992. Born in 1966, she joined the Minneapolis trio that year, replacing original bassist Michelle Leon. The band, led by Kat Bjelland, was at the forefront of punk and noise-rock, giving raw voice to female anger and angst. Herman's driving, melodic bass lines anchored the chaotic guitar squall and primal vocals during the band's peak influence. She left Babes in Toyland in 1996 and largely retreated from music to pursue writing. A brief, tumultuous reunion in 2015 brought her back to the stage. Her few years in the band helped create some of the most powerfully unvarnished rock of the decade.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Maureen was born in 1966, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1966
#1 Movie
The Bible: In the Beginning
Best Picture
A Man for All Seasons
#1 TV Show
Bonanza
The world at every milestone
Star Trek premieres on television
Voting age lowered to 18 in the US
Iran hostage crisis begins; Three Mile Island accident
Michael Jackson releases Thriller
Apple Macintosh introduced
Black Monday stock market crash
Dolly the sheep cloned
Twitter launches; Pluto reclassified as dwarf planet
Donald Trump elected president; Brexit vote
She is also a writer and has contributed articles to various publications.
Her reunion with Babes in Toyland in 2015 ended with her being fired from the band later that same year.
She replaced the band's original bassist, Michelle Leon.
“I played bass in a band that weaponized noise against a pretty world.”