

A melodic genius who gave Broadway and Hollywood some of their most unforgettable, heart-tugging tunes, achieving the rarest sweep of major awards.
Marvin Hamlisch possessed a preternatural gift for melody, one that made him the go-to composer for both sparkling entertainment and deep sentiment. A child prodigy accepted to Juilliard at six, he found his true calling not in the concert hall but in the collaborative worlds of film and theater. His score for 'The Sting' revived Scott Joplin's ragtime for a new generation, while 'The Way We Were' became an anthem of bittersweet memory. On Broadway, 'A Chorus Line' broke ground with its gritty honesty, its music pulsating with the dreams of dancers. Hamlisch wore his accomplishments lightly, his wit and generosity making him as beloved offstage as his music was on.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Marvin was born in 1944, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1944
#1 Movie
Going My Way
Best Picture
Going My Way
The world at every milestone
D-Day: Allied forces land at Normandy
NATO founded; Mao proclaims the People's Republic of China
Sputnik launches the Space Age
Kennedy-Nixon debates become first televised presidential debates
Cuban Missile Crisis brings the world to the brink
US sends combat troops to Vietnam
Nixon resigns the presidency
Apple Macintosh introduced
Nelson Mandela elected president of South Africa
Indian Ocean tsunami kills over 230,000
Curiosity rover lands on Mars; Sandy Hook shooting
He was the youngest student ever admitted to the Juilliard School's preparatory division at age six.
He worked as a rehearsal pianist for Barbra Streisand's 'Funny Girl' Broadway show early in his career.
His song 'Nobody Does It Better' for the James Bond film 'The Spy Who Loved Me' was the first Bond theme nominated for an Oscar.
He wrote the score for the Broadway musical 'They're Playing Our Song' inspired by his romantic and professional partnership with lyricist Carole Bayer Sager.
“Life is like a piano. What you get out of it depends on how you play it.”