Maria Anna Mozart
The brilliant older sister and musical partner of Wolfgang Mozart, whose own prodigious talent was eclipsed by the constraints of her era.
1751–1829 (age 78)·Austrian musician·Birthday: July 30
Biography
Maria Anna Mozart, affectionately called Nannerl, was the Mozart family's first child prodigy. Under the exacting tutelage of their father Leopold, she mastered the harpsichord and fortepiano, dazzling aristocratic audiences across Europe on grueling concert tours. Contemporary accounts praised her impeccable technique and expressive playing. At age 18, her public performing career was abruptly halted by social convention. While Wolfgang's genius was nurtured into a profession, Nannerl's was relegated to the private sphere. She remained a skilled musician, teaching and composing, though her works are lost. She later married a magistrate, moved to the countryside, and raised a family. Her story shows formidable ability channeled into the narrow avenues available to an 18th-century woman.
#1 When Maria Was Born
The biggest hits of 1751
Maria's Life & Times
The world at every milestone
1751Born
1756Started school
1764Became a teenager
1767Could drive
1769Could vote
1772Turned 21
1781Turned 30
1791Turned 40
1801Turned 50
1811Turned 60
1821Turned 70
1829Died at 78
Key Achievements
- Toured extensively as a child keyboard virtuoso across Europe, earning acclaim in major cities like Paris and London.
- Was considered by her father Leopold to be one of the most accomplished keyboard players in Europe during her youth.
- Acted as an important musical confidante and copyist for her brother Wolfgang in his later years.
- Maintained a detailed diary and correspondence that provides invaluable insight into the Mozart family's life and work.
Did You Know?
Many of the early family letters praising Wolfgang's compositions are in her handwriting, as she often served as his copyist.
She outlived her famous brother by nearly four decades, dying at the age of 78.
A portrait once believed to be of the young Wolfgang is now thought by some scholars to possibly depict Nannerl.
“I played the harpsichord flawlessly, but my compositions were never published.”
