

Margaret Qualley transformed from a dedicated ballet dancer into a magnetic screen actress known for her raw and nuanced performances.
Margaret Qualley's artistic discipline was forged in the dance studio long before she ever faced a camera. The daughter of model-actress Andie MacDowell, she trained seriously in ballet at the North Carolina School of the Arts and the American Ballet Theatre, a path that instilled a profound physical expressiveness. She pivoted to acting in her late teens, with a small but noticeable debut in Sofia Coppola's *The Bling Ring*. Her breakthrough came as the resilient Jill Garvey on HBO's existential drama *The Leftovers*, where she held her own against veteran actors. Qualley chooses roles that demand transformation, from a Manson Family victim in *Once Upon a Time in Hollywood* to the beleaguered Alex in the Netflix adaptation of *Maid*, a performance that earned her Emmy and Golden Globe nominations and proved her ability to anchor a story with gritty, emotional truth.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Margaret was born in 1994, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1994
#1 Movie
The Lion King
Best Picture
Forrest Gump
#1 TV Show
Seinfeld
The world at every milestone
Nelson Mandela elected president of South Africa
Columbine shooting; Y2K panic builds
iPhone released; Great Recession begins
Deepwater Horizon oil spill; iPad launched
Curiosity rover lands on Mars; Sandy Hook shooting
Paris climate agreement; same-sex marriage legalized in the US
AI reshapes industries; Paris Olympics
She is named after her paternal grandmother, Sarah Margaret Qualley.
She turned down a scholarship to study ballet at the University of North Carolina School of the Arts to pursue acting.
Qualley performed her own dancing in the *Fosse/Verdon* series, having the technical background to do so.
“Ballet taught me to be present in my body, to communicate without words.”