

A frank and relatable online sex educator who demystified intimacy for a generation before pivoting to a career in mental health counseling.
Laci Green emerged in the late 2000s as a defining voice in the wild west of YouTube, tackling topics of sexuality and relationships with a clipboard, a sharpie, and disarming candor. Born Valacia Nusheen Cyrus in 1989, she built a massive following with her 'Braless' series and straightforward educational videos, making her a go-to resource for teens navigating a landscape often filled with misinformation. Her influence was recognized by Time magazine in 2016. In a significant career shift, Green stepped back from her public YouTube persona to earn a master's degree, becoming a licensed clinical mental health counselor. This move reflected a deeper commitment to supporting well-being, transitioning from broad public education to personalized, therapeutic care.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Laci was born in 1989, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1989
#1 Movie
Batman
Best Picture
Driving Miss Daisy
#1 TV Show
Roseanne
The world at every milestone
Berlin Wall falls; Tiananmen Square protests
Nelson Mandela elected president of South Africa
Euro currency enters circulation
Hurricane Katrina devastates New Orleans; YouTube launches
iPhone released; Great Recession begins
Deepwater Horizon oil spill; iPad launched
First image of a black hole; Hong Kong protests
Her birth name is Valacia Nusheen Cyrus.
She is of Persian and Ashkenazi Jewish descent.
Her MTV deal for 'Braless' was a 12-week partnership, with the first episode airing in November 2014.
“Let's talk about sex without the awkward music and the corporate-sponsored shame.”