

An Irish actor whose smoldering intensity and chameleonic talent brought volatile kings and rock icons to life on screen.
Born in Dublin and raised in County Cork, Jonathan Rhys Meyers's path to acting was unconventional, discovered by a casting agent while waiting in a line. His early roles were marked by a raw, electric presence, from the glam-rock ambiguity of 'Velvet Goldmine' to the simmering ambition in Woody Allen's 'Match Point.' He achieved a new level of fame by embodying two vastly different cultural titans: a magnetic, troubled Elvis Presley in a miniseries that won him a Golden Globe, and a virile, ruthless King Henry VIII in the historical drama 'The Tudors.' His career is a study in controlled volatility, often playing characters whose charm masks a dangerous inner turmoil, making him a compelling and unpredictable screen presence.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Jonathan was born in 1977, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1977
#1 Movie
Star Wars
Best Picture
Annie Hall
#1 TV Show
Happy Days
The world at every milestone
Star Wars premieres; Elvis dies
Michael Jackson releases Thriller
Hubble Space Telescope launched; Germany reunifies
European Union officially established
Oklahoma City bombing; Windows 95 released
Google founded; Clinton impeachment
iPhone released; Great Recession begins
#MeToo movement; solar eclipse crosses the US
He was expelled from school at age 16 and worked odd jobs before being discovered.
He is a passionate supporter of the English football club Manchester United.
He provided the voice for the character of Miguel in the animated film 'The Emperor's New Groove.'
“I'm not a method actor. I don't need to live as the character. I just need to understand him.”