
A bassist and producer who helped forge dance-punk's chaotic sound with Death from Above before shaping electronic music as MSTRKRFT.
Jesse F. Keeler, as bassist and synthesist for Death from Above, weaponized the low end. His distorted, melodic bass lines on the 2004 album 'You're a Woman, I'm a Machine' functioned as both rhythm and lead, creating a blistering manifesto of dance-punk. When the duo disbanded, Keeler channeled his energy into MSTRKRFT with partner Al-P, producing sleek, aggressive electro and house that dominated mid-2000s dance floors. As a producer and remixer, his touch extended to artists across the rock and electronic spectrum. The reunion of Death from Above (later Death from Above 1979) proved the enduring power of his minimalist, maximally loud approach.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Jesse was born in 1976, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1976
#1 Movie
Rocky
Best Picture
Rocky
#1 TV Show
All in the Family
The world at every milestone
Apple Computer founded; US bicentennial
MTV launches; first Space Shuttle flight; AIDS identified
Berlin Wall falls; Tiananmen Square protests
LA riots after Rodney King verdict
Nelson Mandela elected president of South Africa
Princess Diana dies in Paris car crash; Harry Potter published
Twitter launches; Pluto reclassified as dwarf planet
Donald Trump elected president; Brexit vote
He is a multi-instrumentalist who also plays drums, guitar, keyboards, and saxophone.
The name MSTRKRFT is a stylized spelling of 'Mastercraft,' a brand of boat he saw in a magazine.
Death from Above originally started as a duo because they couldn't find a guitarist who could keep up.
“We just wanted to make the loudest, most urgent sound two people possibly could.”