

A whimsical indie rock force who turned a quirky instrument into the heart of her charmingly off-kilter songwriting.
Jenny Omnichord, born Jenny Mitchell, carved out a uniquely endearing space in the Canadian indie scene. Her artistic identity is inseparable from the Omnichord, an electronic autoharp from the 1980s, which she adopted as her primary instrument and namesake. This choice set the tone for a career built on melodic ingenuity and lyrical warmth rather than conventional rock posturing. Based in Guelph, Ontario, a hub for collaborative and community-minded music, she has woven her sound through solo projects and bands like The Barmitzvah Brothers and The Burning Hell. Her recordings, often home-spun and intimate, feel like shared secrets, blending folk sincerity with lo-fi electronic textures. Beyond albums and EPs, her live performances are celebrated for their genuine connection, turning rooms into gatherings of friends. Omnichord represents a path in music where personality and inventive spirit trump sheer scale, building a lasting legacy on a foundation of authentic charm.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Jenny was born in 1984, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1984
#1 Movie
Beverly Hills Cop
Best Picture
Amadeus
#1 TV Show
Dallas
The world at every milestone
Apple Macintosh introduced
Berlin Wall falls; Tiananmen Square protests
Princess Diana dies in Paris car crash; Harry Potter published
Y2K passes without incident; contested Bush-Gore election
Euro currency enters circulation
Hurricane Katrina devastates New Orleans; YouTube launches
Russia annexes Crimea; Ebola outbreak in West Africa
AI reshapes industries; Paris Olympics
Her stage name is taken from the Omnichord, an electronic instrument originally marketed by Suzuki in the 1980s.
She is married to fellow musician Stephen Lamb, who is a member of The Burning Hell.
The Barmitzvah Brothers, one of her early bands, were known for their playful, childlike aesthetic and use of unconventional instruments.
“The Omnichord is my voice, a little plastic box full of ghosts and heart.”