

A meteoric and groundbreaking artist who channeled the raw energy of New York street culture into paintings that redefined contemporary art.
Jean-Michel Basquiat erupted onto the art scene like a supernova, a brilliant flash that changed the landscape before burning out too soon. Emerging from the graffiti-covered streets of downtown New York in the late 1970s under the tag SAMO, he swiftly transitioned from subway walls to gallery walls. His paintings were urgent, text-filled explosions that fused street savvy with a deep, self-taught knowledge of art history, anatomy, and jazz. Crowns, skulls, and cryptic words became his lexicon, critiquing power structures, exploring Black identity, and mapping his own anxieties. By his early twenties, he was a star, collaborating with Andy Warhol and showing in major galleries, becoming one of the youngest artists ever to exhibit at the Documenta festival. His work captured the frantic, commodified energy of the 1980s art boom, but his intense pace was shadowed by personal turmoil. His death at 27 cemented his status as a tragic genius, whose raw, poetic vision continues to exert a massive influence on art and culture.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Jean-Michel was born in 1960, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1960
#1 Movie
Swiss Family Robinson
Best Picture
The Apartment
#1 TV Show
Gunsmoke
The world at every milestone
Kennedy-Nixon debates become first televised presidential debates
US sends combat troops to Vietnam
US withdraws from Vietnam; Roe v. Wade decided
Apple Computer founded; US bicentennial
First test-tube baby born
MTV launches; first Space Shuttle flight; AIDS identified
Pan Am Flight 103 bombed over Lockerbie
He appeared on the cover of The New York Times Magazine in 1985, a rare honor for a visual artist at the time.
Basquiat was a member of the band Gray, which performed in downtown New York clubs in the late 1970s.
He owned a copy of Gray's Anatomy as a child, given to him by his mother while he was hospitalized, which became a major source of imagery in his art.
He often painted in a $200 Armani suit, which would become splattered with paint.
“I don't think about art when I'm working. I try to think about life.”