

She shattered the color barrier as the first Black prima ballerina at the Metropolitan Opera, redefining grace on the American stage.
Janet Collins moved with a spiritual gravity that transformed American ballet. Born in New Orleans in 1917 and raised in Los Angeles, she faced doors firmly shut to Black dancers. Refusing to perform in blackface, she turned down a major company offer early on, a defining act of integrity. Her technical prowess, honed through relentless study, was unmatched—a fusion of classical ballet’s precision with a modern dancer’s expressive power. In 1951, she made history as the first African American prima ballerina contracted by the Metropolitan Opera, stunning audiences for two seasons with roles created specifically for her. Beyond performing, she was a sought-after choreographer for stage and television and a devoted teacher in New York City. Later in life, she embraced a contemplative path as a Benedictine oblate. Collins didn't just break a barrier; she expanded the very imagination of what a ballerina could be.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Janet was born in 1917, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1917
#1 Movie
Cleopatra
The world at every milestone
Russian Revolution overthrows the tsar; US enters WWI
King Tut's tomb discovered in Egypt
Pluto discovered
FDR's New Deal launches; Prohibition ends
Social Security Act signed into law
Kristallnacht and the escalation toward WWII
India gains independence; the Dead Sea Scrolls found
Sputnik launches the Space Age
Summer of Love in San Francisco; first Super Bowl
Star Wars premieres; Elvis dies
Black Monday stock market crash
Princess Diana dies in Paris car crash; Harry Potter published
US invades Iraq; Human Genome Project completed
She was a vowed oblate of the Benedictine order, dedicating herself to a life of spiritual discipline.
She was a talented painter and often designed her own costumes.
She turned down a spot with the Ballet Russe de Monte Carlo because they required her to perform in whiteface.
Her cousin, Carmen de Lavallade, became a famous dancer and choreographer.
“I will not paint my face to dance for you.”