

A Swedish cartoonist whose minimalist, philosophically tinged strips offer a daily dose of wry observation on modern life and human nature.
Jan Berglin's cartoons are a quiet, consistent presence in Swedish cultural life. Unlike many political satirists, his work, often featuring a bald, everyman character, leans into the existential and the everyday. He finds humor and poignant insight in office life, family dynamics, and the subtle absurdities of the modern world. Based in Gävle and working as a teacher, he brings an academic's eye for human behavior to his drawing board. His breakthrough came with a national syndication deal in Svenska Dagbladet in 1995, which transformed him from a local favorite to a household name. His collections sell steadily, and his style—clean lines, sparse dialogue, and a distinctive melancholic wit—has made his work instantly recognizable. Berglin proves that a cartoonist can build a profound connection without relying on caricature or loud punchlines.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Jan was born in 1960, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1960
#1 Movie
Swiss Family Robinson
Best Picture
The Apartment
#1 TV Show
Gunsmoke
The world at every milestone
Kennedy-Nixon debates become first televised presidential debates
US sends combat troops to Vietnam
US withdraws from Vietnam; Roe v. Wade decided
Apple Computer founded; US bicentennial
First test-tube baby born
MTV launches; first Space Shuttle flight; AIDS identified
Hubble Space Telescope launched; Germany reunifies
Y2K passes without incident; contested Bush-Gore election
Deepwater Horizon oil spill; iPad launched
COVID-19 pandemic shuts down the world
He is a trained teacher and has taught Swedish and religion alongside his cartooning career.
His early strips were published in the social democratic newspaper Arbetarbladet before he moved to the conservative Svenska Dagbladet.
He made his debut in the Uppsala student newspaper Ergo in 1985.
His distinctive bald protagonist is often considered a self-portrait.
“I draw a bald man because I am a bald man; it's a form of self-portrait.”