

A visual anarchist who fused punk comics with pop music to create the groundbreaking virtual band Gorillaz.
Jamie Hewlett emerged from the British indie comics scene of the late 1980s, brandishing a kinetic, punk-inflected art style that was equal parts messy and masterful. His creation, Tank Girl, with writer Alan Martin, became a counterculture icon, a chaotic antidote to the era's superhero dominance. But his most seismic shift came through a shared London house with musician Damon Albarn. From their creative friction, Gorillaz was born in 1998: a virtual band of animated characters that served as a satirical lens on celebrity and a vessel for genre-defying music. Hewlett's distinctive, world-building artwork didn't just illustrate the band; it became its DNA, proving that visual art could drive a musical project to global stadium status and permanently blurring the lines between cartoons and pop culture.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Jamie was born in 1968, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1968
#1 Movie
2001: A Space Odyssey
Best Picture
Oliver!
#1 TV Show
The Andy Griffith Show
The world at every milestone
Martin Luther King Jr. and Robert Kennedy assassinated
US withdraws from Vietnam; Roe v. Wade decided
MTV launches; first Space Shuttle flight; AIDS identified
Apple Macintosh introduced
Challenger disaster; Chernobyl nuclear meltdown
Berlin Wall falls; Tiananmen Square protests
Google founded; Clinton impeachment
Barack Obama elected first Black US president; financial crisis
Royal wedding of Harry and Meghan; Parkland shooting
He and Damon Albarn conceived Gorillaz while watching MTV and lamenting the state of popular music.
He designed the mascot for the 2012 London Summer Olympics closing ceremony, a giant octopus that drummed alongside the band.
His early artistic influences included French comic magazine Métal Hurlant and punk graphics.
“I've always been interested in the ugly side of things. I find it more attractive than the beautiful side.”