

A quiet poet of the everyday, his films explore the fragile bonds of family with a tenderness that reveals life's profound beauty in mundane moments.
Hirokazu Kore-eda began his career making documentaries, and that observational, patient eye defines his narrative filmmaking. He emerged in the 1990s as a leading voice of Japanese cinema, but one working in a distinctly humanist key, often compared to Yasujirō Ozu. His films, like 'Nobody Knows' and 'Shoplifters,' frequently focus on non-traditional families—groups bound by choice and circumstance rather than blood. Kore-eda works with a gentle, unhurried pace, allowing moments of quiet revelation to accumulate into emotionally devastating power. While deeply rooted in Japanese society, his themes of memory, loss, and connection are universal, earning him the Palme d'Or at Cannes for 'Shoplifters' and a global audience. He is a filmmaker who finds epic drama in a shared meal or a silent glance, proving that the smallest stories can carry the greatest weight.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Hirokazu was born in 1962, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1962
#1 Movie
Lawrence of Arabia
Best Picture
Lawrence of Arabia
#1 TV Show
Beverly Hillbillies
The world at every milestone
Cuban Missile Crisis brings the world to the brink
Summer of Love in San Francisco; first Super Bowl
Fall of Saigon ends the Vietnam War
First test-tube baby born
John Lennon shot and killed in New York
Internet adopts TCP/IP, creating the modern internet
LA riots after Rodney King verdict
Euro currency enters circulation
Curiosity rover lands on Mars; Sandy Hook shooting
Russia invades Ukraine; Queen Elizabeth II dies
He originally intended to be a novelist before pursuing filmmaking.
Kore-eda often edits his own films, maintaining tight control over their rhythm and tone.
His film 'The Truth' was his first feature made outside Japan and starred Catherine Deneuve and Juliette Binoche.
“I'm not interested in making films about extraordinary people. I want to make films about ordinary people, and find the extraordinary in them.”