

A German artist who builds haunting, life-sized human forms from humble paperboard, exploring fragility and presence through an invented technique.
Herbert Wetterauer, operating from Karlsruhe, Germany, has carved a distinct path in contemporary art by turning away from traditional, durable materials. Instead, he found his voice in the transient and the everyday: paperboard and ink. He developed a unique method of constructing figures, building them layer by layer from cardboard into eerily complete, life-sized human forms that seem both solid and spectral. These silent, often solitary figures occupy space with a poignant vulnerability, their rough, exposed edges and monochrome ink washes speaking to themes of impermanence and the human condition. Alongside his sculptural work, Wetterauer is also a painter and author, creating ink paintings that share the same raw, immediate quality. His multidisciplinary practice, consistently focused on material authenticity and emotional resonance, has established him as a quietly powerful voice in European art, one who finds profound expression in the ostensibly simple.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Herbert was born in 1957, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1957
#1 Movie
The Bridge on the River Kwai
Best Picture
The Bridge on the River Kwai
#1 TV Show
Gunsmoke
The world at every milestone
Sputnik launches the Space Age
Cuban Missile Crisis brings the world to the brink
First Earth Day; The Beatles break up
US withdraws from Vietnam; Roe v. Wade decided
Fall of Saigon ends the Vietnam War
First test-tube baby born
Black Monday stock market crash
Princess Diana dies in Paris car crash; Harry Potter published
iPhone released; Great Recession begins
#MeToo movement; solar eclipse crosses the US
He often uses ink washes directly on the raw cardboard, integrating painting and sculpture.
Many of his paperboard figures are self-portraits or studies of the human form in mundane poses.
He has lived and worked in Karlsruhe, a major German arts center, for much of his career.
“I build my figures from paperboard because it has the memory of the street.”