His clean, sculptural black-and-white portraits defined the glamour of the 80s and 90s, turning celebrities into modern-day gods and goddesses.
Herb Ritts didn't just photograph celebrities; he mythologized them. A Los Angeles native, he stumbled into photography almost by accident, but his eye for form, shaped by an early interest in art history, was immediate and undeniable. In the 1980s, his crisp, sun-drenched black-and-white aesthetic became the visual signature of an era. Ritts had a genius for simplicity, often using the California desert or a stark white studio to frame his subjects. He photographed everyone from Madonna and Richard Gere to Naomi Campbell and Michael Jackson, capturing a raw, physical elegance that echoed classical Greek sculpture. His work for magazines like Vanity Fair and Rolling Stone, along with groundbreaking music videos for artists like Janet Jackson, blended high fashion with accessible cool. When he died in 2002, he left behind a body of work that continues to define a certain idea of American beauty—strong, sensual, and timeless.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Herb was born in 1952, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1952
#1 Movie
The Greatest Show on Earth
Best Picture
The Greatest Show on Earth
#1 TV Show
I Love Lucy
The world at every milestone
Queen Elizabeth II ascends the throne
Sputnik launches the Space Age
US sends combat troops to Vietnam
Martin Luther King Jr. and Robert Kennedy assassinated
First Earth Day; The Beatles break up
US withdraws from Vietnam; Roe v. Wade decided
Michael Jackson releases Thriller
LA riots after Rodney King verdict
Euro currency enters circulation
He took his first major professional photograph, of a young Richard Gere at a gas station, using a borrowed camera.
Many of his most famous shots were taken using natural light, often in the harsh midday sun of the American Southwest.
His work is part of the permanent collections of institutions like the J. Paul Getty Museum and the Museum of Fine Arts, Boston.
“I like beautiful light, beautiful bodies. I like the sculpture of the body.”