

A German Dadaist who sliced up mass media images to create a radical new art form that questioned society's roles and realities.
Hannah Höch spent her early career in the applied arts, designing patterns for a Berlin publisher, a background that quietly informed her later subversive work. Her life changed when she plunged into the city's avant-garde circles, becoming the lone woman in the fractious Berlin Dada group. With a sharp pair of scissors and a critical eye, she pioneered photomontage, assembling fragments of photographs from magazines and advertisements into disorienting, witty, and often politically charged compositions. Her most famous work, 'Cut with the Kitchen Knife,' is a teeming panorama of Weimar Germany, mixing politicians, dancers, and machine parts. While male peers often sidelined her, Höch persistently explored themes of gender, identity, and the chaos of modern life, continuing her innovative collage work for decades, long after the Dada movement had dissolved.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Hannah was born in 1889, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1889
The world at every milestone
Eiffel Tower opens in Paris
The eruption of Mount Pelee kills 30,000 in Martinique
Einstein publishes the theory of special relativity
Financial panic grips Wall Street
Halley's Comet makes its closest approach
Treaty of Versailles signed; Prohibition ratified
Wall Street crashes, triggering the Great Depression
World War II begins; The Wizard of Oz premieres
NATO founded; Mao proclaims the People's Republic of China
Fidel Castro takes power in Cuba
Apollo 11: humans walk on the Moon; Woodstock festival
First test-tube baby born
She had a nearly decade-long relationship with Dutch poet and writer Til Brugman, which influenced her work on androgyny and relationships.
Höch's work was included in the Nazi's 1937 'Degenerate Art' exhibition, which condemned modern art.
She amassed an extensive personal collection of ethnographic art and 'found' photographic materials from popular media.
For a period, she lived in a secluded house in Berlin-Heiligensee, where her garden and its natural forms became subjects in her art.
“I would like to show the world today as an ant sees it and tomorrow as the moon sees it.”