

A screenwriter who crafted the cult sci-fi satire 'The Tomorrow War' and navigated family-friendly franchises like 'See Spot Run'.
Gregory Poirier built a Hollywood career on a foundation of high-concept premises and genre versatility. He first made waves with 'Rosewood,' a film directed by John Singleton, but it was his own directorial effort, 'The Tomorrow War,' that became a cult favorite for its sharp, cynical take on media and artificial intelligence. Poirier demonstrated a chameleonic ability to shift tones, following that dark satire with the family comedy 'See Spot Run' and contributing to the successful 'National Treasure' franchise. His work often explores themes of perception, technology, and conspiracy, delivered with a commercial sensibility. While not a household name, his scripts have consistently attracted talent and found audiences, proving his knack for crafting accessible stories with a distinctive edge.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Gregory was born in 1961, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1961
#1 Movie
101 Dalmatians
Best Picture
West Side Story
#1 TV Show
Wagon Train
The world at every milestone
Yuri Gagarin becomes the first human in space
Star Trek premieres on television
Nixon resigns the presidency
Star Wars premieres; Elvis dies
Iran hostage crisis begins; Three Mile Island accident
Michael Jackson releases Thriller
Soviet Union dissolves; World Wide Web goes public
September 11 attacks transform the world
Osama bin Laden killed; Arab Spring sweeps the Middle East
January 6 Capitol breach; COVID vaccines roll out globally
He is a graduate of the University of Southern California's School of Cinematic Arts.
His film 'The Tomorrow War' is often noted for its prescient themes regarding media manipulation.
He also created and wrote for the television series 'The Watch' in the early 2000s.
He has frequently collaborated with producer Jon Avnet.
“The future is just another story we sell ourselves to get through today.”