

A fearless Jamaican-born performer who weaponized androgyny and avant-garde style to shatter boundaries in music, fashion, and visual art.
Grace Jones arrived in New York from Jamaica and immediately treated the city as a stage. Her modeling career wasn't about conformity; with her stark cheekbones and towering frame, she became a muse for photographers like Helmut Newton, who captured her as a powerful, sometimes intimidating sculpture. Paris fashion houses embraced her, but Jones was never content to be just a mannequin. She pivoted to music, channeling that same formidable energy into a series of disco and new wave records produced by Chris Blackwell. Her stage shows were performance art spectacles, and her persona—a fusion of the robotic and the primal—challenged every preconception about Black femininity. In film, from "Conan the Destroyer" to "A View to a Kill," she brought an unsettling, captivating presence. Jones didn't just push envelopes; she built entirely new containers for identity.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Grace was born in 1948, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1948
#1 Movie
The Red Shoes
Best Picture
Hamlet
#1 TV Show
Texaco Star Theatre
The world at every milestone
Israel declares independence; Berlin Blockade begins
DNA structure discovered by Watson and Crick
Yuri Gagarin becomes the first human in space
Civil Rights Act signed; Beatles arrive in America
Star Trek premieres on television
Apollo 11: humans walk on the Moon; Woodstock festival
First test-tube baby born
Pan Am Flight 103 bombed over Lockerbie
Google founded; Clinton impeachment
Barack Obama elected first Black US president; financial crisis
Royal wedding of Harry and Meghan; Parkland shooting
She is the older sister of the bishop and politician Noel Jones.
She performed "Slave to the Rhythm" while hula-hooping for the entire duration of the song on stage.
She lived with the artist Jean-Paul Goude for several years, a collaboration that defined her iconic album covers and stage image.
She won a Grammy for Best Music Video in 1986 for her collaboration with Trevor Horn, "Slave to the Rhythm".
“I'm not a one-dimensional person. I'm not just a singer, I'm not just a model, I'm not just an actress. I'm a total person.”