

An Italian-born sculptor who defined American cityscapes with monumental public art, most famously the colossal iron god Vulcan in Birmingham.
Giuseppe Moretti sailed to America with Old World technique and a flair for the dramatic. Settling first in New York, his talent for large-scale, heroic sculpture soon found a home in the industrial cities of the Northeast and South. His masterpiece, and his defining claim to fame, is Vulcan, the massive cast-iron statue created for Birmingham, Alabama's exhibit at the 1904 St. Louis World's Fair. Towering over the city to this day, it is a literal monument to the iron industry that built Birmingham. Moretti's prolific output included bronze soldiers, marble fountains, and allegorical figures that still grace parks and squares from Pittsburgh to Havana. He lived large, with a noted friendship with Enrico Caruso, and his work embodied the grand, optimistic spirit of American civic decoration at the turn of the century.
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He was a close personal friend of the legendary Italian tenor Enrico Caruso, who admired Moretti's singing voice.
He was known for his eccentric style and was almost always seen wearing a distinctive green tie.
Several of his major works, including Vulcan, were originally created for display at world's fairs.
A significant collection of his plaster models and papers is housed at the Birmingham Museum of Art.
“Vulcan stands not as a god, but as the spirit of the forge.”