

A fearless photographer who reframed war through a human lens, becoming the first female photojournalist to die on the frontline.
Gerda Taro invented herself. Born Gerta Pohorylle in Germany, she fled anti-Semitism and found her voice in Paris with a camera and a new name, crafted with her partner, Robert Capa. Together, they developed a raw, immersive style of war photography, getting dangerously close to the action to capture its human cost. Taro threw herself into covering the Spanish Civil War, passionately committed to the Republican cause. Her images of refugees, militiawomen, and shattered landscapes were published in major magazines, making her a notable photojournalist in her own right. Her life was cut short at 26 by a Republican tank during the retreat at Brunete, turning her into a potent symbol of sacrifice and cementing her pioneering role for women in combat journalism.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Gerda was born in 1910, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1910
The world at every milestone
Halley's Comet makes its closest approach
The Lusitania is sunk by a German U-boat
The Great Kanto earthquake devastates Tokyo
Robert Goddard launches the first liquid-fueled rocket
Alexander Fleming discovers penicillin; Mickey Mouse debuts
The Empire State Building opens as the world's tallest
Hindenburg disaster; Golden Gate Bridge opens
The name 'Robert Capa' was originally a shared pseudonym she and André Friedmann used to sell their photos.
For decades, many of her photographs were misattributed to Robert Capa.
A long-lost suitcase containing thousands of her and Capa's negatives was discovered in Mexico in 2007.
“If your pictures aren't good enough, you aren't close enough.”