

A German artist who secretly documented the surreal and somber reality of civilian internment during WWI through over 100 hidden artworks.
George Kenner's life took a dramatic turn with the outbreak of the First World War. A German national living in Britain, he was swept up and interned as a civilian prisoner, first in England and later on the Isle of Man. Confined for years, Kenner turned his confinement into a clandestine act of witness. Using whatever materials he could find, he produced a remarkable visual diary of camp life—over 110 paintings and drawings. His work captures not just the bleakness and boredom, but also the peculiar social microcosm that developed behind barbed wire, from theatrical performances to moments of quiet despair. These works, preserved and later exhibited, offer a rare and deeply human perspective on a forgotten chapter of wartime history, seen through the eyes of the 'enemy' within.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
George was born in 1888, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1888
The world at every milestone
World's Columbian Exposition dazzles Chicago
Queen Victoria dies, ending the Victorian era
New York City opens its first subway line
San Francisco earthquake devastates the city
Robert Peary claims to reach the North Pole
World War I ends; Spanish flu pandemic kills millions
Alexander Fleming discovers penicillin; Mickey Mouse debuts
Kristallnacht and the escalation toward WWII
Israel declares independence; Berlin Blockade begins
NASA founded
Martin Luther King Jr. and Robert Kennedy assassinated
Voting age lowered to 18 in the US
He was interned for nearly the entire duration of World War I, from 1914 to 1919.
Many of his works were small-scale, created secretly and on scarce materials.
His full collection was rediscovered and cataloged decades after his death.
“My sketchbook is my witness; it holds the faces of this forgotten camp.”