

A visionary architect of cinematic dread whose stark, monumental films defined German Expressionism and forged the blueprint for modern science fiction.
Fritz Lang's films didn't just tell stories; they built worlds of anxiety, fate, and towering scale. Beginning in the Weimar Republic, his German Expressionist masterpieces like 'Dr. Mabuse, the Gambler' and 'Metropolis' used stark shadows, dizzying sets, and revolutionary special effects to create a visual language for the modern age's fears and fascinations. 'M,' with its chilling portrait of a child murderer, invented the police procedural while plumbing psychological depths. Fleeing the Nazis, who ironically wanted him to lead their film program, he brought his dark sensibility to Hollywood, where he crafted a series of brutal, fatalistic noirs like 'The Big Heat.' His legacy is one of immense control and profound unease, a filmmaker who understood that the future, and the human heart, could be a terrifyingly beautiful machine.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Fritz was born in 1890, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1890
The world at every milestone
Wounded Knee massacre marks the end of the Indian Wars
First public film screening by the Lumiere brothers
Wright brothers achieve first powered flight
San Francisco earthquake devastates the city
Ford Model T goes into production
Triangle Shirtwaist Factory fire kills 146 in New York
Women gain the right to vote in the US
Pluto discovered
The Blitz: Germany bombs London
Korean War begins
Kennedy-Nixon debates become first televised presidential debates
First Earth Day; The Beatles break up
Apple Computer founded; US bicentennial
He claimed that the Nazi propaganda minister Joseph Goebbels offered him the position of head of the German film studio UFA, which prompted his immediate flight from the country.
His wife and frequent collaborator, Thea von Harbou, who co-wrote 'Metropolis,' stayed in Germany and joined the Nazi Party, leading to their divorce.
He was injured in World War I and reportedly began writing film scenarios while recovering in a hospital.
The distinctive look of the cyborg in 'The Terminator' was directly inspired by the robot Maria from Lang's 'Metropolis'.
“I gave the command, and I began to shoot, and I shot everything that moved.”