

An Italian violinist and composer whose wildly inventive and technically demanding sonatas boldly pushed Baroque music toward a new expressive frontier.
Francesco Maria Veracini lived a life as dramatic and capricious as his music. Born in Florence in 1690, he established himself as one of Europe's most brilliant and tempestuous violin virtuosos, a reputation cemented by performances from London to Dresden. His personality was famously volatile; stories circulated of a leap from a window that left him with a permanent limp, an act variously attributed to a fit of madness or a defiant response to a patron. As a composer, Veracini operated with a fierce independence. His sonatas, particularly those in his collection 'Sonate Accademiche,' are not mere displays of technique but complex, emotionally charged works that often ignored the prevailing conventions of the late Baroque. Critics of his time were divided, some calling him whimsical, but others recognized a profound originality. His harmonic daring and structural freedom made him a transitional figure, one whose music seems to strain against the era's boundaries, pointing directly toward the classical sensibility that would follow.
The biggest hits of 1690
The world at every milestone
He reportedly owned and played violins made by the famed luthier Stradivari.
The story of his self-inflicted leg injury, from a leap, is a famous anecdote in music history, though its exact cause is debated.
He published a treatise on music theory titled 'Il trionfo della pratica musicale' (The Triumph of Musical Practice).
Charles Burney, the 18th-century music historian, wrote about Veracini's eccentric but brilliant character.
“My music is a conversation between the soul and the bow.”