

The theatrical architect of Turin, whose soaring, light-filled palaces and churches fused Baroque grandeur with a nascent classical elegance.
Filippo Juvarra began as a silversmith in Sicily, but his ambition was as vast as the structures he would later design. Moving to Rome, he apprenticed under Carlo Fontana and quickly made a name for himself as a brilliant designer of stage sets, a skill that forever informed his architectural drama. His big break came in 1714 when he was summoned to Turin by Victor Amadeus II of Savoy. There, over two decades, Juvarra transformed the city into a stage for monarchy. His masterworks, like the breathtaking Basilica of Superga on a hill overlooking Turin and the sprawling, hunting-focused Palazzina di Stupinigi, are characterized by a breathtaking verticality, complex spatial sequences, and a masterful play of light. He brought a new lightness and clarity to the late Baroque, pointing toward Neoclassicism. His influence stretched across Europe, with significant projects in Spain and Portugal, before his sudden death in Madrid cut short a career that redefined royal architecture.
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He originally trained and worked as a goldsmith and silversmith before turning to architecture.
His early success came from winning design competitions for stage sets in Rome.
Juvarra's design for the Church of Santa Cristina in Turin features a concave facade, a highly unusual choice for the time.
He produced over 1,500 architectural drawings, which are now housed in the State Archives of Turin.
“Architecture must astonish, and the plan is the generator.”