

Composed 55 operas, a maestro who directed the Théâtre-Italien in Paris for Napoleon and taught composition to the young Franz Liszt.
Ferdinando Paer wrote his first opera, 'Orphée et Eurydice,' at age 16 for the Ducal Court of Parma. Napoleon Bonaparte appointed him *maître de chapelle* in 1804 after hearing his opera 'Achille' in Vienna. Paer directed the Théâtre-Italien in Paris from 1812 to 1827, programming both his works and those of his rival, Gioachino Rossini. He composed 'Le Maître de chapelle' in 1821, a comic opera that remained in the French repertory for a century. Paer gave the 12-year-old Franz Liszt composition lessons in Paris in 1823. He lost favor after Napoleon’s fall but secured the post of court composer to King Louis Philippe in 1831. His 1804 opera 'Leonora' (based on the same Bouilly libretto as Beethoven’s 'Fidelio') premiered in Dresden one year before Beethoven’s version. Paer’s integration of Germanic orchestration into Italian *opera buffa* forms provided a direct model for Rossini’s serious operas. His career documented the shift from aristocratic patronage to public theater, influencing the development of Romantic opera through his administrative and pedagogical roles.
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Paer played chess every Sunday with the composer Luigi Cherubini, their rivalry famous in Paris.
He owned a parrot that could whistle melodies from his opera 'Griselda.'
Paer's personal score library contained over 900 volumes, annotated in three languages.
““Music must follow the drama as a shadow follows the body.””