

The enigmatic frontman of the Horrors who transformed from a garage-rock ghoul into a sophisticated architect of atmospheric post-punk.
Faris Badwan emerged as the striking visual and vocal center of the Horrors, a band that began as a campy garage-punk act and evolved into one of Britain's most sonically ambitious groups. With a gaunt frame and a shock of black hair, he was initially a figure of pure theatre. However, as the Horrors' music deepened into textured, synthesizer-driven soundscapes, Badwan's persona matured into a brooding, baritone narrator. His creative restlessness led him to form Cat's Eyes with Rachel Zeffira, a project that explored baroque pop and filmic scores, showcasing a vulnerability absent from his main band's work. Badwan represents a rare arc in modern rock: a stylist who became a substantial artist, continually subverting expectations.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Faris was born in 1986, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1986
#1 Movie
Top Gun
Best Picture
Platoon
#1 TV Show
The Cosby Show
The world at every milestone
Challenger disaster; Chernobyl nuclear meltdown
Soviet Union dissolves; World Wide Web goes public
Columbine shooting; Y2K panic builds
Euro currency enters circulation
Indian Ocean tsunami kills over 230,000
iPhone released; Great Recession begins
Donald Trump elected president; Brexit vote
He is a trained illustrator and has created artwork for the Horrors' releases.
He is a descendant of the Palestinian Badwan family from Ramallah.
He and Rachel Zeffira of Cat's Eyes recorded parts of their first album in a 15th-century church in Italy.
He is known for a minimalist, almost monastic, personal style offstage.
“I'm not interested in being a caricature; the music has to have its own life.”