A Dominican trombonist whose soulful playing and songwriting bridged jazz, pop, and soul during the vibrant 1960s music scene.
Born on the island of Dominica in 1936, Eric Allandale carried the rhythms of the Caribbean with him to the heart of the British music industry. He emerged not just as a skilled trombonist but as a versatile musical force, navigating the shifting tides of 1960s popular music with a distinctive voice. Allandale's career was a tapestry of collaboration, seeing him contribute his warm, melodic brass lines and songwriting talents to a spectrum of bands that touched on jazz, soul, and pop. His work as a bandleader further cemented his role as a cultivator of sound, guiding ensembles that reflected his eclectic tastes. Though his name may not dominate mainstream histories, Allandale's influence is woven into the fabric of that era's cross-genre experimentation, leaving a legacy that resonates with the spirit of musical fusion until his passing in 2001.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Eric was born in 1936, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1936
#1 Movie
San Francisco
Best Picture
The Great Ziegfeld
The world at every milestone
Jesse Owens wins four golds at the Berlin Olympics
Pearl Harbor attack brings the US into WWII
NATO founded; Mao proclaims the People's Republic of China
Queen Elizabeth II ascends the throne
Brown v. Board of Education desegregates US schools
Sputnik launches the Space Age
Star Trek premieres on television
Apple Computer founded; US bicentennial
Challenger disaster; Chernobyl nuclear meltdown
Dolly the sheep cloned
September 11 attacks transform the world
He was born in Dominica, making him a notable figure in the diaspora of Caribbean musicians in the UK.
His primary instrument was the trombone, which he featured prominently in various band settings.
His musical activity was primarily centered in the 1960s, a key period for British music.
“The trombone can sing a love song or shout a rebellion; it depends on the rhythm.”