

A British actress and writer whose intelligent charm and wry vulnerability light up both quirky indie films and sharp television dramas.
Emily Mortimer carries an air of thoughtful, slightly frazzled intellect, a quality she has deployed to brilliant effect across a varied career. The daughter of a barrister and novelist, she studied Russian at Oxford before turning to acting, bringing a literary sensibility to her work. She first caught attention in independent films like 'Lovely & Amazing,' where her performance earned critical praise for its raw honesty. Mortimer refuses to be pigeonholed, moving from Woody Allen's 'Match Point' to the blockbuster 'Hugo' and then to Aaron Sorkin's fast-talking HBO newsroom as producer MacKenzie McHale. Behind the camera, she co-created the meta-comedy 'Doll & Em' and adapted Nancy Mitford's 'The Pursuit of Love' for television, revealing a sharp writer's voice that matches her on-screen presence.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Emily was born in 1971, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1971
#1 Movie
Fiddler on the Roof
Best Picture
The French Connection
#1 TV Show
Marcus Welby, M.D.
The world at every milestone
Voting age lowered to 18 in the US
Apple Computer founded; US bicentennial
Apple Macintosh introduced
Black Monday stock market crash
Berlin Wall falls; Tiananmen Square protests
LA riots after Rodney King verdict
September 11 attacks transform the world
Osama bin Laden killed; Arab Spring sweeps the Middle East
January 6 Capitol breach; COVID vaccines roll out globally
She is married to actor Alessandro Nivola.
She provided the voice for the character Princess Diana in the animated film 'The Prince of Egypt.'
She wrote a monthly column for *The Guardian* newspaper's Weekend magazine.
“I'm much more comfortable playing people who are a bit of a mess than people who have it all together.”