

A filmmaker who started directing feature-length horror movies as a pre-teen, becoming a poster child for the DIY digital generation.
Emily Hagins didn't wait for permission to make movies. Growing up in Austin, Texas, she picked up a camera at age 10 and directed her first feature, 'Pathogen,' at 12—a zombie film made for a mere $300. This micro-budget debut captured the attention of the film community, landing her documentaries and profiles that framed her as a prodigy of the new, accessible digital filmmaking era. She continued crafting genre films through her teens and into adulthood, with works like 'My Sucky Teen Romance' and 'Coin Heist,' honing a style that mixed horror and comedy with a distinct, personal voice. Hagins's career is less about blockbuster accolades and more about a foundational truth: she represents the empowered, start-making-it-now spirit that defines modern independent cinema.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Emily was born in 1992, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1992
#1 Movie
Aladdin
Best Picture
Unforgiven
#1 TV Show
60 Minutes
The world at every milestone
LA riots after Rodney King verdict
Princess Diana dies in Paris car crash; Harry Potter published
Hurricane Katrina devastates New Orleans; YouTube launches
Barack Obama elected first Black US president; financial crisis
Deepwater Horizon oil spill; iPad launched
Edward Snowden reveals NSA surveillance programs
Russia invades Ukraine; Queen Elizabeth II dies
She was homeschooled, which she said allowed her more time to focus on filmmaking.
Her early work was heavily supported by the Austin film community, including director Robert Rodriguez.
She has worked extensively as an editor on other filmmakers' projects in addition to directing.
“I just wanted to tell a story with my friends and a camera.”