
Her uniquely fragile, breathy voice brought the doomed Audrey to life, creating one of musical theater's most heartbreakingly hopeful characters.
Ellen Greene originated the role of Audrey, the skid-row florist's assistant with dreams of a tract home, in the Off-Broadway production of 'Little Shop of Horrors.' She emerged from the New York cabaret scene, where intimate stages and smoky rooms suited her waifish presence and startlingly vulnerable vocal style. Her rendition of 'Somewhere That's Green' found profound pathos within parody. The film adaptation brought her to a wider audience. She moved between stage musicals, dramatic television roles such as the sharp-tongued Vivian Charles on 'Pushing Daisies,' and constant returns to cabaret, where her connection with an audience feels like a whispered secret.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Ellen was born in 1951, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1951
#1 Movie
Quo Vadis
Best Picture
An American in Paris
#1 TV Show
Arthur Godfrey's Talent Scouts
The world at every milestone
First color TV broadcast in the US
Elvis Presley appears on The Ed Sullivan Show
Civil Rights Act signed; Beatles arrive in America
Summer of Love in San Francisco; first Super Bowl
Apollo 11: humans walk on the Moon; Woodstock festival
Watergate break-in; last Apollo Moon mission
MTV launches; first Space Shuttle flight; AIDS identified
Soviet Union dissolves; World Wide Web goes public
September 11 attacks transform the world
Osama bin Laden killed; Arab Spring sweeps the Middle East
January 6 Capitol breach; COVID vaccines roll out globally
She was considered for the role of Lina Lamont in the film adaptation of 'Singin' in the Rain,' but the project was never made.
She performed a one-woman show titled 'The Last of the Manhattan Cafe Singers.'
Her distinctive speaking and singing voice is naturally high and breathy, not an affected character choice.
She is a trained pianist and often accompanies herself during her cabaret acts.
“I'm not a belter. I'm a whisperer.”