

A Georgian filmmaker whose darkly comic and psychologically intense movies explore displacement and identity from a post-Soviet perspective.
Dito Tsintsadze emerged from the rich cinematic tradition of Georgia, but his voice is distinctly shaped by exile and observation. Beginning his directing career in the late Soviet period, he found his international footing after relocating to Berlin in 1996. This physical distance from his homeland sharpened his focus on themes of alienation and the absurdities of life in transition. His breakthrough film, 'Lost Killers,' presented at Cannes in 2000, established his signature tone: a blend of grim social realism and unexpected, often bitter, humor. Tsintsadze's films often place ordinary characters in extraordinary, morally ambiguous situations, using precise visual storytelling to dissect the lingering traumas and strange new realities faced by those navigating a fractured world.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Dito was born in 1957, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1957
#1 Movie
The Bridge on the River Kwai
Best Picture
The Bridge on the River Kwai
#1 TV Show
Gunsmoke
The world at every milestone
Sputnik launches the Space Age
Cuban Missile Crisis brings the world to the brink
First Earth Day; The Beatles break up
US withdraws from Vietnam; Roe v. Wade decided
Fall of Saigon ends the Vietnam War
First test-tube baby born
Black Monday stock market crash
Princess Diana dies in Paris car crash; Harry Potter published
iPhone released; Great Recession begins
#MeToo movement; solar eclipse crosses the US
He studied film direction at the Shota Rustaveli Theatre and Film University in Tbilisi.
He has lived and worked in Berlin, Germany, since the mid-1990s.
His film 'The Man from the Embassy' was a German-Georgian co-production.
“I film the small human cracks within the big political walls.”